Mapping the Fretboard: Using the Pentatonic Add6 Scale

Mastering the guitar fretboard can seem daunting, but it’s entirely feasible with the right techniques and some practice. One intriguing method is using the Pentatonic Add6 scale, extensively discussed in our Masterclass #100. This scale not only facilitates learning positions on the fretboard but also opens doors to modal sounds intuitively.

Background Theory

The Pentatonic Add6 is essentially a Minor Pentatonic to which the seventh is not added but rather the sixth. This makes it a reduction of the Dorian scale, and to effectively understand its use, it is useful to contextualize it within the harmonization of the major scale.

In the previous masterclass (#100), we explored the Minor Pentatonic by placing it in all the root keys. Considering the interval differences, we can modify one note to achieve similar results with a different scale, showing how small changes can significantly alter our musical perception on the fretboard.

Same Scale, Different Positions

Understanding the scale is the first step; the next is to connect this knowledge across different positions on the fretboard. Initially, this can seem challenging as it changes the visual perspective on the neck of the guitar. However, a new expressive freedom in playing is discovered once this phase is overcome.

Practice Over Chord Changes

Since the Pentatonic Add6 derives from the Dorian scale, it naturally fits over chords derived from the major scale harmonization, such as F#min7b5 (Locrian), Amin7 (Dorian), D7 (Mixolydian), and Bmin7 (Phrygian). This application makes the scale extremely versatile and suitable for numerous musical contexts.

Practice Over Chord Changes (I-IV)

Considering the Pentatonic Add6 as a gateway to modes, we can also experiment with it in different chord changes, such as I-IV (A7-D7 and A7-D7-E7). This use allows for exploring further expressive possibilities and improvisation.

Learning and continual practice of this scale enrich theoretical knowledge and enhance musical expression capability, opening new avenues for creativity on the guitar fretboard.

Remember, the key is constant practice and continuous exploration. Happy fretting!

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Davide Pannozzo

Davide Pannozzo has been described by critics as one of the most interesting artist’s of contemporary Blues guitar. His style is very much his own with splashes of Jeff Beck, David Gilmour, Eric Clapton and Jimi Hendrix.

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Davide Pannozzo

Davide Pannozzo has been described by critics as one of the most interesting artist’s of contemporary Blues guitar. His style is very much his own with splashes of Jeff Beck, David Gilmour, Eric Clapton and Jimi Hendrix.

“There are very few artists these days that can inspire and are filled with inspiration and great ideas, Davide Pannozzo is one of them. When you first hear his music you know there is something special going on…”
Will Lee (Late Show with David Letterman, The Brecker Brothers, 24th Street Band, …)

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